\n
\n
SOLO EXHIBITIONS
\n\nINFINITE LIGHT: A PHOTOGRAPHIC MEDITATION ON TIBET\n\nDirector’s Gallery, Royal Geographical Society\n\nLondon, England | April 4 – June 4, 2023\n\nONE PERSON CRYING: WOMEN AND WAR\n\nEuropean Culture Capitol 2022 Exhibition\n\nNovi Sad, Serbia | June 18 - 24, 2022\n\nONE PERSON CRYING: WOMEN AND WAR\n\nRoosevelt House, Hunter College, New York\n\nForum and Exhibition | May 10 - June 24, 2022\n\nWITNESS TO TRUTH PORTRAITS OF HOLOCAUST SURVIVORS OF THE MUSEUM OF TOLERANCE\n\n104 Portraits taken between 2005 and 2020, Project completed February 2020\n\nMuseum of Tolerance, Los Angeles, CA, Permanent Exhibition | Opened September 18, 2005\n\nFACES OF SURVIVAL: PORTRAITS OF HOLOCAUST SURVIVORS\n\nVancouver Holocaust Education Center\n\nVancouver, BC, Canada\n\nJune 15, 2018 - June 30, 2019\n\nINFINITE LIGHT: A PHOTOGRAPHIC MEDITATION ON TIBET \n\nPhoenix Art Museum\n\nPhoenix, AZ\n\nSeptember 23, 2017 - February 18, 2018\n\nINFINITE LIGHT: A PHOTOGRAPHIC MEDITATION ON TIBET \n\nWilliam D. Cannon Art Gallery - City of Carlsbad\n\nCarlsbad, CA\n\nMarch 16 - May 21, 2017\n\nONE PERSON CRYING: WOMEN AND WAR\n\nVenice Arts\n\nVenice, CA \n\nJanuary 15 – March 12, 2015\n\nONE PERSON CRYING: WOMEN AND WAR\n\nThe Highground | Wisconsin Vietnam Veterans Memorial Park\n\nNeillsville, WI\n\nJune 1 – July 30, 2014\n
\nONE PERSON CRYING: WOMEN AND WAR\n\nCentre de la Mémoire\n\nOradour-sur-Glane, France \n\nJune 22 – April 30, 2014\n
\nONE PERSON CRYING: WOMEN AND WAR\n\nWilly-Brandt-Haus\n\nBerlin, Germany\n\nMarch 8 – April 3, 2013\n
\nONE PERSON CRYING: WOMEN AND WAR\n\nMuseum of Tolerance\n\nLos Angeles, CA \n\nAugust 16 – December 10, 2012\n
\nSREBRENICA: THEN IS NOW: 15 YEARS AFTER THE MASSACRE\n\nMuseum of Tolerance\n\nLos Angeles, CA \n\nJuly 9 – August 31, 2010\n
\nIN HOLLYWOOD & DOWNTOWN LOS ANGELES: INSIDE/OUT\n\nCurator and Photographer\n\nCity of Los Angeles | Department of Cultural Affairs | Public Art Division \n\nTerminal 1 | Los Angeles International Airport \n\nJanuary 16 - May 29, 2009\n
\nAN EVENING WITH MARISSA ROTH\n\nBook Alley | Book Signing and Photography Exhibition\n\nPasadena, CA \n\nDecember 1, 2007 - March 30, 2008\n
\nWITNESS TO TRUTH\n\nPortraits of Holocaust Survivors | Permanent Exhibition\n\nMuseum of Tolerance\n\nLos Angeles, CA \n\nOpened September 18, 2005\n
\nCAUGHT IN THE CROSSFIRE: WOMEN AND WAR\n\nWeathervane\n\nSanta Monica, CA \n\nOctober 18, 2001 - December 6, 2001\n
\nREAL CITY: DOWNTOWN LOS ANGELES INSIDE/OUT\n\nDawson’s Gallery\n\nPasadena, CA\n\nAugust 25 - September 15, 2001\n
\nINSIDE/OUT: DOWNTOWN LOS ANGELES\n\nProject commissioned by the Los Angeles Public Library\n\nExhibited at the Central Library\n\nJuly 1 - September 24, 2000\n
\nBURNING HEART: A PORTRAIT OF THE PHILIPPINES\n\nMontgomery Gallery | Pomona College \n\nClaremont, CA \n\nNovember 2 - December 19, 1999\n
\nBURNING HEART: A PORTRAIT OF THE PHILIPPINES\n\nSepia International | The Alkazi Collection\n\nNew York, NY\n\nMay 13 - August 13, 1999\n
\nTHE CHILDREN WEAR OLD EYES: A PHILIPPINE PORTRAIT\n\nLentz Center for Asian Culture | University of Nebraska\n\nLincoln, NE\n\nApril 8 - July 1, 1994\n
\nHOLLYWOOD\n\nCenter for Creative Studies | College of Art and Design\n\nDetroit, MI\n\nSeptember 1 - November 30, 1984\n
\n
\n
\n
\n
GROUP EXHIBITIONS
\n\n24th ANNUAL WOMEN’S WORK EXHIBITION\n\nOld Court House Art Center\n\nWoodstock, IL \n\nMarch 3 – May 1, 2011\n\nPICTURE OF THE YEAR SLIDE SHOW NIGHT\n\nAnnenberg Space for Photography\n\nLos Angeles, CA\n\nSeptember 17, 2009\n
\nINDOMITABLE SPIRIT\n\nStarlight Children’s Foundation Benefit Photography Auction \n\nExhibition Co-Chair with Douglas Kirkland | Ace Gallery \n\nLos Angeles, CA \n\nNovember 13, 2008\n
\nDIVAS! AN EXHIBITION OF IMMODEST PHOTOGRAPHY\n\nRobert V. Fullerton Art Museum | California State University\n\nSan Bernardino, CA\n\nSeptember 25 - December 13, 2008\n
\nEARTH & TIME: NATURE STUDIES BY FOUR\n\nRemy’s on Temple \n\nLos Angeles, CA\n\nOctober 27 - November 25, 2007\n
\nTHROUGH THE LOOKING GLASS: THE PHILIPPINES\n\nRemy’s on Temple \n\nLos Angeles, CA\n\nMarch 1-31, 2007\n
\nBRANCHING OUT | A GROUP SHOW\n\nSepia International | The Alkazi Collection\n\nNew York, NY\n\nMay 12-June 9, 2007\n
\n16th ANNUAL CENTER AWARDS\n\nCenter for Photographic Art \n\nCarmel, CA\n\nOctober 27 - December 1, 2006\n
\nA SENSE OF PLACE\n\nCenter for Photographic Art \n\nCarmel, CA\n\nJanuary 21 - March 3, 2000\n
\nCAPTURED | MOCA UNDERGROUND\n\nMuseum of Contemporary Art\n\nLos Angeles, CA\n\nSeptember 27, 1997\n
\nPHOTOGRAPHY LOS ANGELES NOW\n\nUnity Arts Center | Spring Street Gallery\n\nLos Angeles, CA\n\nAugust 5 - 28, 1995\n
\n24 HOURS IN THE LIFE OF LOS ANGELES\n\nLAPA Gallery \n\nLos Angeles, CA\n\nJune 1 - August 30, 1984\n\n","size":{"content":{"width":0,"height":0},"thumb":{"width":0,"height":0},"pageImages":[],"bytes":0,"featuredImage":{"width":0,"height":0}},"linkTarget":"","overrides":{},"filters":["Misc Media"],"key":"10058","dateAdded":"2015-12-01T02:06:28.000Z"},"10059":{"id":10059,"label":"M-Roth-Tibet01a_web","caption":"Crows and Halo
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\r\nGanden Monastery September 2010","type":"image","content":"M-Roth-Tibet13a_web.jpg","size":{"content":{"width":1004,"height":681},"thumb":{"width":0,"height":0},"bytes":344181,"featuredImage":{"width":0,"height":0}},"filters":["Projects-Portfolios - Infinite Light"],"oldContent":"M-Roth-Tibet13a_web.jpg","linkTarget":"","overrides":{},"dateAdded":"2015-12-02 12:12:58"},"10066":{"id":10066,"label":"M-Roth-Tibet17a_web","caption":"Small Chapel
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\r\nSakya Monastery May 2007","type":"image","content":"M-Roth-Tibet37a_web.jpg","size":{"content":{"width":1005,"height":682},"thumb":{"width":0,"height":0},"bytes":357725,"featuredImage":{"width":0,"height":0}},"overrides":{},"filters":["Projects-Portfolios - Infinite Light"],"linkTarget":"","dateAdded":"2015-12-02 12:13:06","oldContent":"M-Roth-Tibet37a_web.jpg"},"10076":{"id":10076,"label":"M-Roth-Tibet38a_web","caption":"Prayer Book at Tsamkhung Nunnery
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\r\nNeat Gyantse May 2007","type":"image","content":"M-Roth-Tibet40a_web.jpg","size":{"content":{"width":1008,"height":671},"thumb":{"width":0,"height":0},"bytes":351405,"featuredImage":{"width":0,"height":0}},"oldContent":"M-Roth-Tibet40a_web.jpg","dateAdded":"2015-12-02 12:13:07","filters":["Projects-Portfolios - Infinite Light"],"overrides":{},"linkTarget":""},"10078":{"id":10078,"label":"M-Roth-Tibet43a_web","caption":"In the Prayer Sanctuary
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At the end of World War II, Japanese women married to men in the military who were killed in the war, were forbidden to remarry.\nKamakura, Japan 2002","type":"image","content":"One-Person-Crying-25.jpg","size":{"content":{"width":1681,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":509734},"dateAdded":"2015-12-04T17:46:55.000Z","overrides":{},"key":"10301","linkTarget":"","filters":["Projects-Portfolios - One Person Crying"]},"10303":{"id":10303,"label":"One-Person-Crying-27","caption":"Hiroshima River – there are seven rivers in Hiroshima. After the A-bomb was dropped on August 6, 1945, during World War II, people ran to the rivers to seek relief.\nHiroshima, Japan 2002","type":"image","content":"One-Person-Crying-27.jpg","size":{"content":{"width":1698,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":505264},"overrides":{},"linkTarget":"","dateAdded":"2015-12-04T17:47:08.000Z","key":"10303","filters":["Projects-Portfolios - One Person Crying"]},"10304":{"id":10304,"label":"One-Person-Crying-28","caption":"Margaret Hale, a Catholic beaten in 2002; there was an uneasy peace after the 1998 Good Friday Agreement that ended three decades of sectarian violence known as ‘The Troubles’, with unprovoked attacks years afterward.\nNorth Belfast, Northern Ireland 2006\n","type":"image","content":"One-Person-Crying-28.jpg","size":{"content":{"width":1140,"height":1697},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":504342},"linkTarget":"","filters":["Projects-Portfolios - One Person Crying"],"dateAdded":"2015-12-04T17:47:15.000Z","overrides":{},"key":"10304"},"10306":{"id":10306,"label":"One-Person-Crying-30","caption":"Forest Where Bosniak-Muslims were Killed - Near the end of the Bosnian War, around 8,000 men and boys were herded onto trucks and killed, many in the forests along the road from Srebrenica to Tuzla.\nOn the Road to Tuzla, Bosnia & Herzegovina 2009","type":"image","content":"One-Person-Crying-30.jpg","size":{"content":{"width":1694,"height":1140},"thumb":{"width":0,"height":0},"bytes":491959,"featuredImage":{"width":0,"height":0}},"dateAdded":"2015-12-04T17:47:28.000Z","overrides":{},"key":"10306","linkTarget":"","filters":["Projects-Portfolios - One Person Crying"]},"10307":{"id":10307,"label":"One-Person-Crying-31","caption":"Vietnamese “Boat People” Refugees - After the Vietnam-American War ended in 1975, many South Vietnamese fled a repressive regime in rickety boats headed to other Southeast Asian countries.\nPalawan, Philippines 1988","type":"image","content":"One-Person-Crying-31.jpg","size":{"content":{"width":1140,"height":1690},"thumb":{"width":0,"height":0},"bytes":506042,"featuredImage":{"width":0,"height":0}},"key":"10307","filters":["Projects-Portfolios - One Person Crying"],"dateAdded":"2015-12-04T17:47:35.000Z","linkTarget":"","overrides":{}},"10309":{"id":10309,"label":"Draginja Ivkovic","caption":"Croatian Woman in a displaced Person’s Camp - During the Bosnian War, in addition to the ethnic cleansing, there was a tremendous amount of internal displacement of civilians.\nNear Belgrade, Serbia 2009","type":"image","content":"One-Person-Crying-33.jpg","size":{"content":{"width":1693,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":507927},"key":"10309","dateAdded":"2015-12-04T17:47:48.000Z","linkTarget":"","overrides":{},"filters":["Projects-Portfolios - One Person Crying"]},"10310":{"id":10310,"label":"One-Person-Crying-34","caption":"Land Mine Victims’ Band – Decades on, landmines continue to be a scourge from the Cambodian genocide perpetrated by the Khmer Rouge from 1975 to 1979.\nSiem Reap, Cambodia 2009","type":"image","content":"One-Person-Crying-34.jpg","size":{"content":{"width":1691,"height":1140},"thumb":{"width":0,"height":0},"bytes":506990,"featuredImage":{"width":0,"height":0}},"key":"10310","filters":["Projects-Portfolios - One Person Crying"],"linkTarget":"","overrides":{},"dateAdded":"2015-12-04T17:47:55.000Z"},"10311":{"id":10311,"label":"One-Person-Crying-35","caption":"Luci Kevecs - Granddaughter of Holocaust Survivors.\nBudapest, Hungary 1991","type":"image","content":"One-Person-Crying-35.jpg","size":{"content":{"width":767,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":414758},"dateAdded":"2015-12-04T17:48:01.000Z","overrides":{},"linkTarget":"","filters":["Projects-Portfolios - One Person Crying"],"key":"10311"},"10313":{"id":10313,"label":"One-Person-Crying-37","caption":"Running Girl Near the Killing Fields – During the Cambodian genocide from 1975 to 1979, there were areas known as the ‘Killing Fields’ where mass murders were perpetrated.\nPhnom Penh, Cambodia 2009","type":"image","content":"One-Person-Crying-37.jpg","size":{"content":{"width":1693,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":505951},"filters":["Projects-Portfolios - One Person Crying"],"key":"10313","overrides":{},"dateAdded":"2015-12-04T17:48:20.000Z","linkTarget":""},"10317":{"id":10317,"label":"Philippines-01Replacement","caption":"Boy and Dove
\r\nManila 1987","type":"image","content":"Philippines-01Replacement.jpg","size":{"content":{"width":1745,"height":1140},"thumb":{"width":0,"height":0},"bytes":508356,"featuredImage":{"width":0,"height":0}},"postDate":"2025-03-04T16:57:57.625Z","filters":["-Hidden-Overview-Img-Gallery-","Projects-Portfolios - The Philippines"],"dateAdded":"2015-12-04 09:58:44","linkTarget":"","overrides":{},"oldContent":"Philippines-01Replacement.jpg"},"10318":{"id":10318,"label":"One-Person-Crying-38","caption":"Church Altar - As a group of German Waffen-SS troops were retreating in June 1944, they attacked a village killing 642 civilians; women and children were herded into the church and shot as the builidng was set on fire.\nOradour-sur-Glane, France 2013","type":"image","content":"One-Person-Crying-38.jpg","size":{"content":{"width":1703,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":503667},"key":"10318","filters":["Projects-Portfolios - One Person Crying"],"linkTarget":"","dateAdded":"2015-12-05T17:55:00.000Z","overrides":{}},"10319":{"id":10319,"label":"Two Generations Separated by Genocide","caption":"Two Generations Separated by Genocide – The grandmother of the little girl survived the Cambodian genocide but her husband and parents, seen in the photographs, did not.\nPhnom Penh, Cambodia 2009","type":"image","content":"One-Person-Crying-39.jpg","size":{"content":{"width":1692,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":511384},"overrides":{},"filters":["Projects-Portfolios - One Person Crying"],"dateAdded":"2015-12-05T17:55:08.000Z","linkTarget":"","key":"10319"},"10320":{"id":10320,"label":"One-Person-Crying-40","caption":"Afghan refugee girl and woman in a refugee camp at the end of the 10-year war between Afghanistan and the Soviet Union. \nPeshawar, Pakistan 1988","type":"image","content":"One-Person-Crying-40.jpg","size":{"content":{"width":1140,"height":1694},"thumb":{"width":0,"height":0},"bytes":500175,"featuredImage":{"width":0,"height":0}},"key":"10320","linkTarget":"","dateAdded":"2015-12-05T17:55:14.000Z","overrides":{},"filters":["Projects-Portfolios - One Person Crying"]},"10321":{"id":10321,"label":"","caption":"","type":"html","content":"
ONE PERSON CRYING\nWOMEN AND WAR
\n
This global documentary project, initiated by Marissa Roth in 1984, spans four decades of her photography to date, and addresses how women in numerous countries and cultures have been directly affected by war and its aftermath. In addition to the photographs, which include portraits and images of ancillary themes as they relate to the locale of that particular war, Roth interviewed most of her subjects.
\n\nOne Person Crying: Women and War is currently a global travelling exhibition, which debuted at The Museum of Tolerance in Los Angeles in 2012. A book of this work is forthcoming and will encompass Roth’s photographs, interview texts and a personal narrative about her odyssey as a photographer working on this multi-decade project.
INFINITE LIGHT\nA PHOTOGRAPHIC MEDITATION ON TIBET
\n\n
Marissa Roth calls this project, her love letter to Tibet. Venturing there in 2007 and 2010, she chose to photograph with Kodachrome film on both trips, and created this visually poetic ethnographic study. The 72 images that make up this photographic meditation unfurl in a color sequence akin to the Tibetan prayer flags. The book, Infinite Light: A Photographic Meditation on Tibet, with a foreword by His Holiness the Dalai Lama, was published in 2014. This project is currently a traveling exhibition.
\n\nRoth states that this project is a reflection of her inner and outer journeys to this land and a personal impressionistic view of what it feels like to be in Tibet. It is also a social and political statement and another cry for awareness about what is being irrevocably lost.
\n\nTo see this project in full, and to order books, please visit: http://tibetinfinitelight.com","thumb":"InfiniteLight_thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1224,"height":841},"bytes":0,"pageImages":[],"featuredImage":{"width":0,"height":0}},"linkTarget":"","filters":["Projects-Portfolios - Infinite Light"],"dateAdded":"2015-12-16T20:50:09.000Z","overrides":{},"key":"10322"},"10323":{"id":10323,"label":"","caption":"","type":"html","content":"
THE CROSSING
\r\n\r\n
In May of 2015 and July of 2016, Marissa Roth was a passenger aboard the Queen Mary II during two transatlantic crossings from New York City to Southampton, England. These short but profound journeys inspired this photographic project, which has in many ways, become the coda to her 31-year global traveling exhibition, One Person Crying: Women and War. Inspired by her parents’ transatlantic crossing to America aboard the Queen Mary in late October of 1938, she chose to embark on a personal journey across the Atlantic Ocean in order to capture photographically what it feels like to be at sea, suspended in time amidst the prosaic rhythms of this ocean. Photographed with color film, the resulting images are polyphonic seascapes that are both perceptible meditations and visually poetic records of these ephemeral passages.
\r\n\r\n","thumb":"TheCrossing_thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1225,"height":841},"bytes":0,"featuredImage":{"width":0,"height":0}},"filters":["Projects-Portfolios - The Crossing"],"dateAdded":"2015-12-16 14:39:35","oldThumb":"TheCrossing_thumb.jpg","linkTarget":"","overrides":{}},"10324":{"id":10324,"label":"","caption":"","type":"html","content":"HOLLYWOOD | LOS ANGELES
\n\n
Working as a photojournalist in Los Angeles for decades, Marissa Roth recognized that she had rare access and myriad opportunities beyond the scope of her journalistic assignments to photographically record the nuances, ironies, metaphors and stark contrasts of this sprawling metropolis. She would often linger after a photo assignment was completed in order to photograph with her own particular vision, and self-assigned photographic forays in order to document the visual contradictions of the city. This portfolio reflects her documentary-style approach to the “other side” of glamour in Hollywood, and juxtaposes it with the stark, edgier inner city reality.
\n\n","thumb":"HollywoodLosAngeles_thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1224,"height":841},"featuredImage":{"width":0,"height":0},"bytes":0,"pageImages":[]},"linkTarget":"","filters":["Projects-Portfolios - LA - Hollywood"],"overrides":{},"key":"10324","dateAdded":"2015-12-16T22:41:31.000Z"},"10325":{"id":10325,"label":"","caption":"","type":"html","content":"BURNING HEART\r\nA PORTRAIT OF THE PHILIPPINES
\r\n\r\n
Accompanying a medical airlift sponsored by Operation USA and the Hospital Council of Southern California, Marissa Roth first went to The Philippines in March of 1987. What was supposed to be a one-week stay turned into a ten-year personal pas de deux with this vast archipelago. She lived there for a year from 1987 – 1988 and after moving back to Los Angeles, continued to return regularly in order to work on an extended personal photographic project. This became her first book, Burning Heart: A Portrait of The Philippines, which was published by Rizzoli in 1999.
\r\n\r\n","thumb":"ThePhilippines_thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1126,"height":863},"pageImages":[],"featuredImage":{"width":0,"height":0},"bytes":0},"linkTarget":"","oldThumb":"ThePhilippines_thumb.jpg","key":"10325","overrides":{},"filters":["Projects-Portfolios - The Philippines"],"dateAdded":"2015-12-16 16:57:47"},"10326":{"id":10326,"label":"","caption":"","type":"html","content":"LOS ANGELES RIOTS
\n\n
Marissa Roth was part of the Los Angeles Times team that won the 1992 Pulitzer Prize for Best Spot News, for coverage of the riots that erupted in South Central Los Angeles in late April of that year, following the trial and acquittal of four white police officers charged in the beating of Rodney King.
\n\nA week after the unrest, The Times published a five-part series that looked at the events leading up to, and during the riots. Roth’s photograph of the skeletal accordion security gate of a burned out building, bearing a portrait of Martin Luther King placed there by a local man, was the lead image of the series.
","thumb":"LosAngelesRiots_thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1225,"height":841},"pageImages":[],"bytes":0,"featuredImage":{"width":0,"height":0}},"filters":["Editorial - LA Riot 1992"],"linkTarget":"","overrides":{},"dateAdded":"2015-12-17T20:37:14.000Z","key":"10326"},"10327":{"id":10327,"label":"","caption":"","type":"html","content":"GENERAL ASSIGNMENTS
\r\n\r\n
Working for the Los Angeles Times as a permanent freelance photographer from 1984 – 1994, and then as the lead stringer in Los Angeles for the New York Times for the following decade, among other prestigious publications, Marissa Roth was assigned to photograph a wide range of subjects. From wild fires and gang shootings to human interest stories, politics and the Academy Awards, she brought an artists’ eye to her photojournalism and a realist’s sensibility to her work, often overlaying it with pathos, metaphor and, occasionally, humor.
\r\n\r\n","thumb":"GeneralAssignments_thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1195,"height":801},"bytes":0,"featuredImage":{"width":0,"height":0}},"overrides":{},"oldThumb":"GeneralAssignments_thumb.jpg","linkTarget":"","dateAdded":"2015-12-17 12:38:08","filters":["Editorial - General Assignments"]},"10328":{"id":10328,"label":"","caption":"","type":"html","content":"STREET SEEN
\n\n\n
In early 2014, Marissa Roth was selected by the Los Angeles Department of Cultural Affairs and Los Angeles World Airports to be part of a small group of curators creating public art installations at Los Angeles International Airport. She proposed creating an exhibition of her photographs taken specifically for this project called, “Street Seen”, which inspired her to become a pedestrian in this notorious car culture. This portfolio of images is from the exhibition that was in Terminal 6 at LAX, from November 4th, 2016 through May 7th, 2017.
\n\nThis is the opening paragraph of Roth’s curatorial statement:
\n\nThe natural pace that humans walk is about three miles per hour. Pedestrian cultures honor our ancient bipedal rhythms, allowing for life to unfold at the speed of breath. Car cultures have forced us to sit motionless while in motion, creating a complicated accelerated view of the immediate environment. Inert in our destination-oriented machines, our perception is altered as our desensitized windshield view zooms by.\n\n
\n
\n
OPEN TO BEYOND
\r\n\r\n
This collection of black and white single images from all around the world is Marissa Roth’s personal scrapbook. Though the subjects are diverse and were taken over multiple decades, the images all share common threads that encompass strong geometry, and poetic and provocative subject matter.
\r\n\r\n","thumb":"OpenToBeyond_thumb-copy1.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1356,"height":783},"bytes":0,"pageImages":[],"featuredImage":{"width":0,"height":0}},"postDate":"2021-08-19T15:20:33.871Z","dateAdded":"2015-12-17 13:15:14","filters":["Projects-Portfolios - Open to Beyond"],"overrides":{},"linkTarget":"","oldThumb":"OpenToBeyond_thumb-copy1.jpg","key":"10329"},"10330":{"id":10330,"label":"","caption":"","type":"html","content":"PARIS
\r\n\r\n
Paris has been one of Marissa Roth’s heart homes, along with London and Budapest. This city of light has drawn her back numerous times over the years to photograph with black and white film, attend photographic events and visit with friends. A number of these images are now in the collection of the Musée Carnavalet in Paris, the museum dedicated to exhibiting and preserving the historical legacy of the city.
\r\n\r\n","thumb":"Paris_thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1168,"height":863},"featuredImage":{"width":0,"height":0},"pageImages":[],"bytes":0},"linkTarget":"","overrides":{},"filters":["Projects-Portfolios - Paris"],"key":"10330","oldThumb":"Paris_thumb.jpg","dateAdded":"2015-12-17 13:16:05"},"10331":{"id":10331,"label":"","caption":"","type":"html","content":"RED
\r\n\r\n
Marissa Roth believes that the challenge of photographing in color is that the resulting image has to be about much more than just the color. The composition and content both have to be strong. In many paintings, an element of red is the color that unifies all of the other colors, and in turn, supports the composition. Artists from Leonardo Da Vinci to Paul Gauguin employed this subconscious visual technique. Roth created a promotional piece ten years ago, entitled, “RED”, which inspired this collection of images.
\r\n\r\n","thumb":"Red_thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1175,"height":817},"bytes":0,"pageImages":[],"featuredImage":{"width":0,"height":0}},"overrides":{},"dateAdded":"2015-12-17T21:16:56.000Z","oldThumb":"Red_thumb.jpg","filters":["Projects-Portfolios - Red"],"key":"10331","linkTarget":""},"10332":{"id":10332,"label":"","caption":"","type":"html","content":"MY WAR\nWARTIME PHOTOGRAPHS BY VIETNAM VETERANS
\n\n
In June of 2014, Marissa Roth went to The Highground Vietnam Veteran’s Memorial Park in Neillsville, Wisconsin, for the opening of her exhibition about women who survived war, “One Person Crying: Women and War”, which was being shown there for 3 months. While she was there, the topic of personal photographs came up with a number of Vietnam Veterans that she met, inspiring her to curate and create an exhibition of these personal photographs, contributed by numerous Veterans. “My War: Wartime Photographs by Vietnam Veterans”, debuted at The Highground, August 6 – October 30, 2016, and became a traveling exhibition after that.
\n\nHere is an excerpt from Roth’s curatorial statement:
\n\nFor those servicemen who had a camera, seeing seemingly simple scenes evoking memories of home, recording gestures of light-hearted camaraderie, documenting the endless protocol and efficiency of war, was a means of creating a parallel war experience where they had a modicum of control by choosing what to take pictures of. The camera enabled them to remember local strangers who shared an ephemeral smile and put into context their understanding of the implications of an F-100 Super Sabre flying off into the dawn sky.\n\n
\n
\n
STREET SEEN
\r\n\r\n\r\n
In early 2014, Marissa Roth was selected by the Los Angeles Department of Cultural Affairs and Los Angeles World Airports to be part of a small group of curators creating public art installations at Los Angeles International Airport. She proposed creating an exhibition of her photographs taken specifically for this project called, “Street Seen”, which inspired her to become a pedestrian in this notorious car culture. This portfolio of images is from the exhibition that will be in Terminal 6 at LAX, from November 4th, 2016 through May 7th, 2017.
\r\n\r\nThis is the opening paragraph of Roth’s curatorial statement:
\r\n\r\nThe natural pace that humans walk is about three miles per hour. Pedestrian cultures honor our ancient bipedal rhythms, allowing for life to unfold at the speed of breath. Car cultures have forced us to sit motionless while in motion, creating a complicated accelerated view of the immediate environment. Inert in our destination-oriented machines, our perception is altered as our desensitized windshield view zooms by.\r\n\r\n
\r\n
\r\n
BIOGRAPHY
Marissa Roth is a Pulitzer Prize-winning photojournalist, documentary and fine art photographer, born and raised in Los Angeles. She was part of The Los Angeles Times staff that won the Prize for Best Spot News, for coverage of the 1992 Los Angeles riots. Her assignments for other prestigious publications have taken her around the world, where she photographed stories encompassing social, political, and cultural subjects.To date, Roth’s global photographic project, One Person Crying: Women and War, spans four decades of her photography addressing how women have been directly impacted by war and conflict. An exhibition of this work debuted at The Museum of Tolerance in Los Angeles in 2012 and has been showcased internationally as a traveling exhibition. A book is forthcoming.Her published books include Infinite Light: A Photographic Meditation on Tibet, with a foreword by His Holiness the Dalai Lama; Burning Heart: A Portrait of The Philippines; and The Crossing, a poetic photographic study of the Atlantic Ocean.Roth’s work has been widely exhibited and is held in both public and private collections. In addition, she is a curator, lecturer, and teacher.Roth is a Fellow of the Royal Geographical Society in London and the Royal Photographic Society in England and resides in London.","thumb":"Marissa-Roth-Photography_biothumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":629,"height":672},"pageImages":[],"featuredImage":{"width":0,"height":0},"bytes":0},"dateAdded":"2015-12-21T23:35:11.000Z","overrides":{},"filters":["TEXT PAGES"],"linkTarget":""},"10337":{"id":10337,"label":"","caption":"","type":"html","content":"
ARTIST STATEMENT
\n\nThe creative process is ever a mystery to me. As a child, I remember sitting down with a brush dipped in black ink, feeling as though an invisible hand moved my arm across a blank vellum page. The end result was a well-seen and well-executed drawing and that euphoric experience is still a fresh memory. \n\nI am now struck again by those inexplicable questions of how we chose and why we need to create, and from where these potent forces are generated. Sometimes I wonder if these projects are inside of us, ever-present and unborn, just requiring the enigmatic confluence of head, heart, circumstance and time to be released. Or, do we somehow conjure them to manifest themselves through a mystifying alchemic intellectual, physical and metaphysical dance.\n\nHaving a formative background in painting and art history influenced my work as a photographer over the decades. I consider the frame within my viewfinder to be my canvas, and always strive to create the composition within its specific parameters. Chiaroscuro – the bold interplay and contrast between dark and light - has always been my signature method of seeing and photographing. I still chose to photograph with film for my personal work, as I love the alchemy of possibilities that can result in the image making and chemical processing. I also still love my old analog cameras for their simplicity as tools and their required suspension of trust because the resulting images can’t be viewed immediately. They are my paintbrushes of light. I do photograph with digital cameras for my professional work, but still feel that all photographic mediums are relevant and have unique properties.\n\nPhotography has been at the core of my life since I was a teenager, affording me professional success and an extraordinary unexpected personal journey. It gave me entrée into cultures where I wouldn’t necessarily have ventured into or lingered, and propelled me to face outward towards the greater world around me. It enabled me to comprehend history, the human condition and nature in ways that I wouldn’t have imagined. For all of this, I am very grateful.\n\nMarissa Roth\n\n\n","thumb":"ARTIST_STATEMENT_thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":892,"height":586},"bytes":0,"featuredImage":{"width":0,"height":0},"pageImages":[]},"key":"10337","overrides":{},"filters":["TEXT PAGES"],"linkTarget":"","dateAdded":"2015-12-22T00:48:56.000Z"},"10338":{"id":10338,"label":"CV","caption":"","type":"link","content":"/pf-media/MarissaRothCVJan2025.pdf","size":{"content":{"width":0,"height":0},"thumb":{"width":0,"height":0},"bytes":0,"featuredImage":{"width":0,"height":0}},"overrides":{},"linkTarget":"_blank","key":"10338","dateAdded":"2015-12-22T00:50:25.000Z","filters":["TEXT PAGES"]},"10339":{"id":10339,"label":"AWARDS | RECOGNITION | TESTIMONIALS","caption":"","type":"html","content":"AWARDS\n\nPULITZER PRIZE | BEST SPOT NEWS 1992 \nPart of The Los Angeles Times staff that covered the 1992 Los Angeles civil unrest.\n\nDESIGNATIONS\n\nFELLOW - ROYAL GEOGRAPHICAL SOCIETY, LONDON\n\nFELLOW - ROYAL PHOTOGRAPHIC SOCIETY, ENGLAND\n\nRECOGNITION\n\nLUCIE AWARDS | INTERNATIONAL PHOTOGRAPHY ASSOCIATION \nNominated for Outstanding Achievement in Documentary Photography, 2003\n\nTESTIMONIALS\n\nFOREWORD BY HIS HOLINESS THE DALAI LAMA \n“INFINITE LIGHT: A PHOTOGRAPHIC MEDITATION ONTIBET” \nOctober 5, 2012\n\nIt is more than fifty years since events in my homeland compelled me and many\nother Tibetans to seek asylum in India. These years have been one of the most\ndifficult periods in our history for Tibetans both inside and outside Tibet. \nNevertheless, there is now a great sense of unity among us and our spirit remains strong.\nWe have also kept alive our culture and values, which are rooted in compassion and\n non-violence.\n\nSince travel to Tibet opened up again some thirty years or so ago, friends have \noften asked me whether I advised their going there. My unequivocal response\nhas always been, “Certainly, if you can go to Tibet, please go there. See for\nyourselves with your own eyes how things are there. Make up your own mind\nabout the situation Tibetans find themselves in and when you come home, tell\nother people what you saw.”\n\nMarissa Roth has done just that and in this book offers vivid photographs of\nwhat she saw. These images are evocative of the atmosphere she found in Tibet,\nwhere a rich and ancient culture, an unbowed people, and a pristine natural\nenvironment struggle to survive. I am sure readers will find their appreciation of\nTibet enriched by what they find in these pages.\n\n\nEXCERPT FROM LETTER OF RECOMMENDATION \nProfessor Darilyn Regina Rowan\nPhotography/Fine Arts Division | El Camino College | Torrance, California \n\nMarissa Roth’s photography is profound and beautiful; capturing the mysterious\nand transcendent quality of lighting that illuminates her subject with dignity and respect. \nHer photographs are a graceful statement of the need for social change in the \ncircumstances she makes her images in; however the images also stand alone \nor in series as profound works of art. Ms. Roth works in the venerable tradition \nof documentary photography and her work is significant and important.\n","thumb":"Awards-Thumb0104.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":873,"height":1088},"bytes":0,"pageImages":[],"featuredImage":{"width":0,"height":0}},"filters":["TEXT PAGES"],"linkTarget":"","dateAdded":"2015-12-28T20:40:10.000Z","overrides":{},"key":"10339"},"10340":{"id":10340,"label":"EVENTS","caption":"","type":"html","content":"UPCOMING\n\nIN HOLLYWOOD\nLeica Camera at Harrods\nLondon, England | December 6, 2024 – June 26, 2025\n\nSORROW AND LIGHT: UKRAINIAN WOMEN WAR REFUGEES IN BRITAIN\nAssociation of Ukrainians in Great Britain, London, England\nCommemorative Event - Third Anniversary of the Ukraine-Russia War Invasion | February 20, 2025\n\nRECENT\n\nIN HOLLYWOOD\nLeica Gallery London\nLondon, England | December 12, 2023 – March 29, 2024\n\nINFINITE LIGHT: A PHOTOGRAPHIC MEDITATION ON TIBET\nDirector's Gallery, Royal Geographical Society\nLondon, England | April 4 – June 4, 2023\n\nSTOP HATE SPEECH CONFERENCE - Speaker\nSofia, Bulgaria\nDecember 5-6, 2022\nhttps://www.bta.bg/en/news/bulgaria/371526-sofia-hosts-stop-hate-speech-inernational-conference\n\nEARTH PHOTO COMPETITION - Jury Committee Chair\nRoyal Geographical Society\nLondon, England\nExhibition Opening and Awards Ceremony, July 14, 2022\nhttps://earthphoto.artopps.co.uk\n\nONE PERSON CRYING: WOMEN AND WAR\nEuropean Culture Capitol 2022\nNovi Sad, Serbia\nExhibition opening June 18, 2022\nExhibition dates: June 18 - 24, 2022\nhttps://novisad2021.rs/en/european-capital-of-culture-2022/\n\nONE PERSON CRYING: WOMEN AND WAR\nRoosevelt House, Hunter College, New York\nForum and Exhibition Opening, May 10, 2022\nExhibition dates: May 10 - June 24, 2022\nhttp://www.roosevelthouse.hunter.cuny.edu/events/marissa-roth-one-woman-crying-women-war/\n\nEARTH PHOTO COMPETITION - Jury Committee Chair\nRoyal Geographical Society\nLondon, England - June 2020\nhttps://earthphoto.artopps.co.uk\n\nTELLING WAR STORIES: FROM TRAUMA TO TRANSFORMATION\nInternational Women’s Day - Panel Discussion\nMuseum of Tolerance, Los Angeles, March 8, 2020\n\nTHE CROSSING - BOOK SIGNING and PRESENTATION BY MARISSA\nThrockmorton Fine Art, New York City\nSaturday, January 11, 2020 - 3:00 P.M.\n\nTHE CROSSING - Monday Night Lecture Series Speaker\nRoyal Geographical Society\nLondon, England, December 2, 2019\nhttps://www.rgs.org/events/autumn-2019/the-crossing-a-photographic-meditation-on-the-atl\n\nBOOK SIGNING and PRESENTATION BY MARISSA\nPolycopies - Bankside near Musée d’Orsay\nhttp://www.polycopies.net/project/en/\nSaturday, November 9 - 2:00 P.M\n\nTHE CROSSING - book launch\nParis Photo - November 7 - 10, 2019\nParis, France\n\nINFINITE LIGHT: A PHOTOGRAPHIC MEDITATION ON TIBET\nLecture and Book Presentation and Signing\nEl Museo Cultural de Santa Fe\nSanta Fe, New Mexico, August 8 - 11, 2019\n\nEARTH PHOTO COMPETITION - Chairing Jury Committee\nRoyal Geographical Society \nLondon, England - June 2019\nhttps://www.rgs.org/geography/news/earth-photo-2019-competition-launched\n\nLONDON PHOTO WORKSHOP - LEICA MAYFAIR\nExpanding Your Eye: A Storytelling Photography Workshop with Marissa Roth\nSaturday 29th September 2018 and Saturday 6th October 2018\nhttps://leicastore-mayfair.co.uk/collections/akademie-workshops/products/expanding-your-eye-a-storytelling-photography-workshop-with-marissa-roth\n\nINFINITE LIGHT: A PHOTOGRAPHIC MEDITATION ON TIBET \nPhoenix Art Museum, Phoenix, AZ September 23 - February 18, 2018\n\nINFINITE LIGHT: A PHOTOGRAPHIC MEDITATION ON TIBET \nWilliam D. Cannon Art Gallery - City of Carlsbad, Carlsbad, CA March 16 – May 21, 2017\n\nWOMEN LOOK OUT\nArena 1 Gallery at Santa Monica Art Studios\nSanta Monica, CA March 11- April 21, 2017\n\nSTREET SEEN - CURATOR AND PHOTOGRAPHER\nCity of Los Angeles, Department of Cultural Affairs-Public Art Division\nTerminal 6, Los Angeles International Airport November 4, 2016 - May 7, 2017\n\nMY WAR: WARTIME PHOTOGRAPHS BY VIETNAM VETERANS\nThe Highground Vietnam Veterans Memorial Park | Neillsville, WI\nOpening Event: August 6, 2016 | Exhibition dates: August 6 – October 30, 2016\n\nJON SCHUELER CENTENARY SYMPOSIUM\nUniversity of the Highlands and Islands | Isle of Skye, Scotland \nLecture: The Crossing: A Photographic Meditation on the Atlantic Ocean\nMay 27 - 29, 2016\n\nPHOTO INDEPENDENT Los Angeles\nThe International Exposition of Contemporary Photography\nPresentation and book signing: Infinite Light: A Photographic Meditation on Tibet\nApril 29 - May 1, 2016\n\nWOMEN'S VOICES ON SCREEN - FILM MAKING SERIES\nVenice Arts | Venice, CA\nHealing & Peacemaking: In Her Own Words\nDiscussion moderated by Marissa Roth, Documentary Photographer and Photojournalist\nApril 21, 2016\n\nhttp://www.venicearts.org/index.php?view=galleries&id=33749\n\nWEATHERVANE | In celebration of Losar - Tibetan New Year\nPresentation and book signing: Infinite Light: A Photographic Meditation on Tibet\nSanta Monica | CA\nFebruary 6, 2016 | Noon - 4 p.m.\n\nWITNESS TO TRUTH\nPortraits of Holocaust Survivors by Marissa Roth | Museum of Tolerance Collection\nSylvia Plotkin Judaica Museum | Scottsdale, AZ\nOpening event: January 31, 2016 | Exhibition dates: January 31 – April 30, 2016\n\nFINDING THE LIGHT | A PHOTOGRAPHER’S JOURNEY WITH WOMEN AND WAR\nSolo performance play written by Dr. Lisa Hayes based on Marissa Roth’s 31-year odyssey\ncreating her project, ONE PERSON CRYING: WOMEN AND WAR\nUnited Solo Festival | New York City | November 1, 2015\nArt Barn | Gaithersburg, MD | October 22, 2015\n\nIN-CONVERSATION ON INTERNATIONAL WOMEN’S DAY\nAmerican Jewish World Service | Director Allison Lee and Marissa Roth \nTopic: ONE PERSON CRYING: WOMEN AND WAR\nVenice Arts | Venice, CA\nMarch 8, 2015\n\nEMERITUS INSTITUTE DISTINGUISHED LECTURER SERIES\nSaddleback College | Laguna Hills, CA\nLecture: Infinite Light: A Photographic Meditation on Tibet\nJanuary 19, 2015\n\nANNENBERG SPACE FOR PHOTOGRAPHY Los Angeles\nInternational Women’s Day Panel Member | Topic: Women and War\nMarch 8, 2014\n\nJOURNALISM FORUM – THROGH HER LENS: WOMEN & PHOTOJOURNALISM\nUSC Annenberg School of Journalism & Center on Communication Leadership and Policy\nLos Angeles\nJanuary 28, 2014\n\nANNENBERG SPACE FOR PHOTOGRAPHY Los Angeles\nLecture series on War Photography | Presented: One Person Crying: Women and War\nMarch 28, 2013\n
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","thumb":"Events-Thumb0104.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":951,"height":750},"pageImages":[],"bytes":0,"featuredImage":{"width":0,"height":0}},"filters":["TEXT PAGES"],"dateAdded":"2015-12-29T06:14:42.000Z","linkTarget":"","key":"10340","overrides":{}},"10341":{"id":10341,"label":"FINE ART PRINTS","caption":"","type":"html","content":"PRINTS IN PERMANENT COLLECTIONS\n\t\t\t \t\nBibliothèque Nationale de France | Paris, France\t\nMusée Carnavalet | Paris, France\t\nGibson, Dunn and Crutcher LLP | Los Angeles\t\t\nMuseum of Tolerance | Los Angeles\t\nLos Angeles Public Library | Los Angeles\nLentz Center for Asian Culture | Lincoln, Nebraska\nTaimur Hassan Collection | Lahore, Pakistan\n\nIMAGES FROM THESE COLLECTIONS ARE AVAILABLE AS FINE ART PRINTS\n\nONE PERSON CRYING: WOMEN AND WAR \nArchival Silver Gelatin Prints | Editions of 15 \n11” x 14” and 16” x 20”\n\nINFINITE LIGHT: A PHOTOGRAPHIC MEDITATION ON TIBET \nArchival Ink Jet Prints on Hahnemuhle Paper | Editions of 15 \n11” x 14, 16” x 20”, 20” x 24” – for larger prints, please inquire\n\nTHE CROSSING \nArchival Ink Jet Prints on Hahnemuehle Paper | Editions of 15 \n20” x 24” and 30” x 40” – for larger prints, please inquire\n\nICELAND POPPIES\nArchival Ink Jet Prints on Hahnemuhle Paper | Editions of 15\n11\" x 14, 16\" x 20\", 20\" x 24\" - for larger prints, please inquire\n\nHOLLYWOOD | LOS ANGELES \nArchival Silver Gelatin Prints | Editions of 15 \n11” x 14” and 16” x 20”\n\nTHE PHILIPPINES \nArchival Silver Gelatin Prints | Editions of 15 \n11” x 14” and 16” x 20”\n\nOPEN TO BEYOND \nArchival Silver Gelatin Prints | Editions of 15 \n11” x 14” and 16” x 20”\n\nPARIS\nArchival Silver Gelatin Prints | Editions of 15 \n11” x 14” and 16” x 20”\n\nRED \nArchival Light Jet or Ink Jet Prints | Editions of 15 \n11” x 14” and 16” x 20”\n\nLONDON IS A FOREST \nArchival Ink Jet Prints on EPSON FINE ART Paper | Editions of 15 \n11” x 14”, 16” x 20”, 20” x 24” and 30” x 40” – for larger prints, please inquire\n
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\nFOR INFORMATION ON PRINT SALES, PLEASE CONTACT\n\nMARISSA ROTH\n\nUS +1 323 646-1994\n \nUK +44 7496 351 353\n\ninfo.marissarothphotography@gmail.com\n
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","thumb":"Fine-Art-Prints_Thumb0104.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":833,"height":1068},"pageImages":[],"bytes":0,"featuredImage":{"width":0,"height":0}},"filters":["TEXT PAGES"],"linkTarget":"","overrides":{},"dateAdded":"2015-12-29T06:19:59.000Z","key":"10341"},"10342":{"id":10342,"label":"LECTURES","caption":"","type":"html","content":"Marissa Roth is available for lectures and workshops, advising on long-term projects and individual on-going critique sessions. \n\nMENTORSHIPS / TEACHING SESSIONS\n\nMarissa Roth is available for one-one mentorships and teaching sessions, that include basic photography, photo-walks, portfolio reviews, advising on long-term projects including books, and on-going editing and critique sessions. \n\nLECTURE TOPICS INCLUDE\n\nThe Photo Essay\nLong-term Documentary Projects\nPhotography and the Creative Life\nOne Person Crying: Women and War\nInfinite Light: A Photographic Meditation on Tibet\nThe Crossing\nMy War: Wartime Photographs by Vietnam Veterans\nFrank Hurley: Antarctica and Beyond\n\nLECTURES | IN-CONVERSATION | PANELIST\n\nRoyal Geographical Society, London\nPhoenix Art Museum, Arizona\nBowers Museum, Orange County, CA\nMuseum of Tolerance, Los Angeles, CA\nAnnenberg Space for Photography, Los Angeles, CA\nWilly-Brandt-Haus, Berlin, Germany\nCentre de la Memoire d’ Oradour, Oradour, France\nSabhal Mór Ostaig University, Isle of Skye, Scotland\nThe Highground Veterans Memorial Park, Neillsville, WI\nUSC Annenberg School for Communication & Journalism, Los Angeles, CA\n\n
WORKSHOPS
\n\nWORKSHOP TOPICS INCLUDE\n\nLong-Term Documentary Project\nThe Photo Essay\nFreedom of Spirit – Street Photography and the Joy of Seeing\nIn the Footsteps of Walker Evans – Undertaking a Documentary Project\nBeginning and Intermediate Photography\nOne-on-One Teaching or Mentoring - Personal Projects/Book Projects\n\nPLEASE INQUIRE FOR AVAILABILITY AND PRICING\n\n
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","thumb":"LECTURES_WORKSHOPS_thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":890,"height":602},"bytes":0,"pageImages":[],"featuredImage":{"width":0,"height":0}},"linkTarget":"","filters":["TEXT PAGES"],"overrides":{},"dateAdded":"2015-12-29T06:24:42.000Z"},"10343":{"id":10343,"label":"LICENSING","caption":"","type":"html","content":"FOR INFORMATION ON GALLERY AND MUSEUM EXHIBITIONS AND LICENSING\nPlease contact: \n\nBarbara Cox - Principal\nPhotokunst\n725 Argyle Ave\nFriday Harbor, WA 98250\n+1 360 378 1028\n\ninfo@photokunst.com\n\n\nIMAGES FROM THESE PORTFOLIOS ARE AVAILABLE FOR LICENSING \n\nONE PERSON CRYING: WOMEN AND WAR\n\nINFINITE LIGHT: A PHOTOGRAPHIC MEDITATION ON TIBET\n\nTHE CROSSING \n\nLONDON IS A FOREST\n\nHOLLYWOOD | LOS ANGELES \n\nTHE PHILIPPINES\n\nOPEN TO BEYOND\n\nPARIS\n\nRED \n
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","thumb":"LICENSING_thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":893,"height":600},"pageImages":[],"featuredImage":{"width":0,"height":0},"bytes":0},"key":"10343","linkTarget":"","overrides":{},"filters":["TEXT PAGES"],"dateAdded":"2015-12-29T19:56:11.000Z"},"10344":{"id":10344,"label":"ARTICLES","caption":"","type":"html","content":"BLIND MAGAZINE\nSilent Wars\n\nFrom 1984 to 2022 Marissa Roth has traveled the world to \nwork with women who lived through war on the home front.\n\nMay 11, 2022\n\nhttps://www.blind-magazine.com/news/silent-wars/\n\nHISTORY HIT\nAfter the Fighting Stops: Women and the Unseen Wounds of War, by Marissa Roth\n\nMarch 8, 2021\n\nhttps://www.historyhit.com/after-the-fighting-stops-women-and-the-unseen-wounds-of-war/\n\nFRANKFURTER ALLGEMEINE\nThe Lonka Project, Photograph of Dorothy Bohm featured\nJanuary 29, 2021\n\nhttps://www.faz.net/aktuell/fotografie/fotografische-hommage-17152057.html\n\n\nPRO PHOTO DAILY
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\nMarch 12, 2020\n\nWASHINGTON POST - In SightAfter spending decades examining the effects of war, this photographer found new inspiration in the Atlantic Ocean\n\nMarch 2, 2020\n\nZEIT\nHolocaust - Die Kraft der Überlebenden\nThe Lonka Project, Photograph of Dorothy Bohm featured\nFebruary 27, 2020\n\nROYAL PHOTOGRAPHIC SOCIETY - LondonThe Lonka Project - Photographic Tribute to Holocaust Survivors - Group Exhibition\nJanuary 2020 Issue\n\nTROUW - The NetherlandsThe Crossing\nDecember 7, 2019\n\nINTERNATIONAL MEDICAL CORPSInternational Women’s Day Blog Entry, March 8, 2019 https://internationalmedicalcorps.org/story/women-in-war/\n\nOne Person Crying: Women and War\nJordan, December 2018\n\nROYAL PHOTOGRAPHIC SOCIETY, London - CONTEMPORARY PHOTOGRAPHY JOURNAL | Contemporary Photography, Winter 2019\n\nTibet - Infinite Light\nWinter Edition 2019\n\nLEICA-MAYFAIR BLOG | Marissa Roth Following in Frank Hurley's Footsteps\n\nFollowing in Frank Hurley’s Footstep’s\nWorld War I battlefields, Ypres, Belgium\nOctober 25, 2018\n\nHEAVY COLLECTIVE (AUSTRALIA) | Q&A Marissa Roth Hollywood, Los Angeles\n\nQ&A: MARISSA ROTH — HOLLYWOOD / LOS ANGELES\nOctober 10, 2018\n\nBLACK + WHITE PHOTOGRAPHY MAGAZINE (UK) | Magazine Issue #205\n\nOne Person Crying\nAugust 2017, Issue 205\n\nLIFE FORCE MAGAZINE | http://www.lifeforcemagazine.com/index_27.htm\n\nInfinite Light\nFebruary 2017 Issue\n\nLEN SCRATCH - FINE ART PHOTOGRAPHY DAILY | http://lenscratch.com/2016/09/marissa-roth-my-war/\n\nMarissa Roth: My War\nSeptember 15, 2016\n\nNEW YORK TIMES | http://lens.blogs.nytimes.com/2016/06/28/how-young-soldiers-saw-life-in-wartime-vietnam/\n\nHow Young Soldiers Saw Life in Wartime Vietnam by Joseph Berger\nTuesday June 28, 2016\n\nLOS ANGELES PUBLIC LIBRARY | The Eye and the Image - Women Photographers of Los Angeles\nMarch 15, 2016\n\nURTHONA JOURNAL OF BUDDHISM & THE ARTS\n\nPortfolio: Marissa Roth\nInfinite Light: A Photographic Meditation on Tibet\nIssue 32, January 2016\n\nLA OBSERVED | http://www.laobserved.com/intell/2014/03/in_honor_of_womens_day.php\n\nIn Honor of International Women’s Day by Iris Schneider \nMarch 11, 2014\n\n“In honor of International Women's Day on March 8, the Annenberg Space for Photography coordinated a panel discussion with three impressive women: anthropologist/primatologist Mireya Mayor, Margaret Aguirre of International Medical Corps, and photojournalist Marissa Roth, moderated by filmmaker Penelope Spheeris. The discussion was a call to action, and to pursuing your dreams, and a chance to honor the women across the globe who, Aguirre said, \"don't have the advantages we do: clean water, husbands who don't beat them and a good education.\"\n\nANNENBERG SPACE FOR PHOTOGRAPHY | https://annenbergphotospace.org/video/marissa-roth-and-sara-terry-war-witnesses-aftermath/\n\nMarissa Roth and Sara Terry\nWar: Witnesses to Aftermath\nPresentation to coincide with War/Photography exhibition \nMarch 28, 2013\n\nBLACK & WHITE MAGAZINE\n\nProfile & Portfolio: Marissa Roth \nFebruary 2011\n\nASIAN JOURNAL\n\nMarissa Roth: A Photographer’s Journey\nMarch 5, 2007\n\nAFTERIMAGE\n\nState of Photography \nNovember | December 2006\n\nPHOTO DISTRICT NEWS\n\nExposure: Marissa Roth\nOctober 1999\n\n
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","thumb":"ARTICLES_thumb893x597.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":893,"height":597},"featuredImage":{"width":0,"height":0},"bytes":0,"pageImages":[{"src":"Pro-Photo-Daily-NewCrop.png","width":514,"height":127}]},"overrides":{},"linkTarget":"","filters":["TEXT PAGES"],"key":"10344","dateAdded":"2015-12-29T20:00:17.000Z"},"10345":{"id":10345,"label":"INTERVIEWS","caption":"","type":"html","content":"August 26, 2022\n\nPHOTOWALK | https://photowalk.show/episodes/marissa-roth-nepal\n\n#328 PHOTOWALK: THE 40 YEARS PROJECT\n\nEARTH PHOTO 2021: CAPTIVATING VISUALS THAT EXPLORE HUMAN INFLUENCE ON OUR PLANET | https://www.youtube.com/watch?v=BoZpuevT4dg\n\nJune 30, 2021\n\nPHOTOGRAPHY DAILY | https://www.photographydaily.show/episodes/marissa-roth-in-tibet\n\n#232 Shooting Your Big Life Changing Photo Project\n\nMarch 26, 2021 \n\nPHOTOGRAPHY DAILY | https://www.photographydaily.show/episodes/women-and-war-photography\n\n#206 One Person Crying: Women and War\n\nMarch 24, 2021 \n\nROYAL VERSAILLES BALL | https://www.youtube.com/watch?v=gE2e_zy2qEY\n\nAn Interview with Photojournalist Marissa Roth\nIn Celebration of International Women’s Day 2021\n\nMarch 8, 2021 \n\nHISTORY HIT – ON-LINE HISTORY CHANNEL/TV, UK BASED | https://play.acast.com/s/dansnowshistoryhit/marissaroth-photojournalist\n\nMarissa Roth interviewed by Dan Snow, on the themes of the 1992 Los Angeles Riots and women and war.\n\nPodcast airdate: January 20, 2021\n\nROYAL GEOGRAPHICAL SOCIETY | https://www.youtube.com/watch?v=umVzdDFco_o&feature=youtu.be\n\nMonday Night Lecture Series, Marissa Roth - Guest Speaker\nThe Crossing: A Photographic Meditation on the Atlantic Ocean\n\nDecember 4, 2019 \n\nKPC RADIO - PIERCE COLLEGE, LOS ANGELES | http://kpcradio.com/exposure-04-25-17-marissa-roth/\n\nOne Person Crying: Women and War\nApril 24, 2017\n\nARGONAUT ONLINE | http://argonautnews.com/women-and-war/\n\nFrom Michael Aushenker’s review of the exhibition at Venice Arts (on-view through March 12, 2015), and an interview with Marissa Roth: “Roth’s stark photos put a face on the fallout, whether it’s My Lai Massacre survivor Pham Thi Thuan or Vietnam War Army nurse Sarah Blum, who incurred Agent Orange-related health problems. There’s a poignant 2009 shot of Kosovar Albanian refugee Sebanate Berisha, who lost all of her children in a bombing raid, with a boy at a Tirana refugee center. There are also powerful images of Hiroshima survivor Setsuko Iwamoto; Alice McNally, a Catholic mother caught in the Northern Ireland conflict; and Auschwitz survivor Cathy Weiss, who once faced the infamous Dr. Josef Mengele.”\nJanuary 28, 2015\n\nPHOTOGRAPHER’S FORUM | http://pfmagazine.com/2014/magazine/marissa-roth-chosen-by-a-project/\n\nChosen by a Project: Profile & Portfolio Marissa Roth | May 2014\n\nThe Summer 2014 edition of Photographer’s Forum explores the notion of the project choosing the photographer, in an in-depth article about “One Person Crying.”\n\nHere’s an excerpt:\n\n“Some photographers consciously choose what they want to shoot — landscapes, rodeos, city skylines, the faces of aging — but for a few, the creative process is reversed. The project chooses them. Their subject becomes an irresistible, driving force, propelling them forward for unfathomable reasons, even against logic, to shoot all dimensions and angles, no matter what sacrifices it takes. Marissa Roth is one such photographer. In 1999, she was invited to document a medical mission to Albania after the NATO bombing of Kosovo. The ethnic war between Serbs and Kosovar Albanians had lasted a year and a half, destroying Kosovo, killing thousands of civilians, and sending hundreds of thousands of frightened refugees into Albania.\n\n“It was not Roth’s first time visiting a former war zone or disaster area. Working as a freelance photojournalist since 1981, she had already used her camera to document numerous tragedies. She had covered the aftermath of the 1984 Union Carbide gas leak in Bhopal, India that killed thousands of people; civilian casualties during the 1989 coup d’état in the Philippines; the 1991 eruption of Mount Pinatubo in the Philippines that wiped out over 300 people; gang shootings and the Los Angeles riots in 1992; and numerous other sites of death and destruction. Roth was certainly not afraid to look horror straight in the eye. “I tempted fate many times in my life,” she says. “I wasn’t reckless, but I challenged my fears.”\n\n“On that medical expedition to Albania, Roth found herself taking environmental portraits of women refugees. Their many losses — homes, children, husbands, security — were evident on their faces. Using her favorite equipment — manual Nikon FE-2 cameras and Kodak’s richly saturated black-and-white Tri-X film — she captured the stark reality of the toll war takes on innocent mothers, sisters, grandmothers, little girls. Talking with Kosovar Albanian women, she heard first-hand accounts of terror, rape, suffering and death — all caused by angry and brutal men who could not find a way to make peace with their neighbors.”\n\nINTERVIEW | i24 NEWS | JAFFA, ISRAEL\n\nIn honour of International Women’s Day, Marissa Roth was interviewed by Israeli news channel i24 News, via Skype from Los Angeles. “My project is really about women who have chosen life after war.”\nMarch 4, 2014\n\nINTERVIEW | LE MONDE | FRANCE\n\nMarissa Roth donne à la guerre un visage feminine (Marissa Roth gives war a feminine face)\nFebruary 24, 2014\n\nINTERVIEW | LA REPUBBLICA\n\nhttp://d.repubblica.it/attualita/2013/11/04/news/fotografie_guerra_donne_marissa_roth-1868566/\n\nApril 11, 2014\n\nINTERVIEW | FOTORITIM e-FOTOGRAF DERGISI | TURKEY\nhttp://www.fotoritimdergi.com/marissa-roth-ile-roportaj\n\nSeptember 23, 2013\n\nExcerpt from interview with Z. Pinar Unal:\n\nZPU: You have worked for many newspapers and magazines like The New York Times, Los Angeles Times, Time and Newsweek. Thus you've photographed a large scale of themes in many different parts of the world, like “the overthrowing of the government in Philippines”, “the first elections in the post-communist Hungary”, “the homeless in Japan”, “the survivors of the chemical disaster of the U.S. company in Bhopal, India” together with your 28-year photo project “Women and War” that has been executed in different countries. So, can you tell me which one of these is your favorite or has influenced you the most?\n\n
MR: Ah….that’s a tough question. I don’t think that I could have arrived at this point in my life without having experienced the many stories and photographic chapters that you mention. Each subject at the time I was photographing it, had a significant impact on me. I learned something that I didn’t know before, or felt something that I had never felt before. “One Person Crying”, has of course, been hugely significant, as it represents not only a fulfilled long-term photographic project, but has been intertwined with my life’s journey. Creatively, I can honestly say that my recent project on Tibet, which was photographed with the last of the glorious Kodachrome film and which I am now about to begin production on a book, is a breakthrough for me.
\n\nI try to stay in the present moment as a photographer, always keeping my sense of wonder acute and open. And I suppose, at heart, I’m still that impatient, slightly wild young photojournalist, looking forward to the next photographic experience with hope and excitement.
\n\nINTERVIEW | UCLA MAGAZINE |http://magazine.ucla.edu/depts/quicktakes/picture-this-women-and-war/\n\nPicture This: Women and War | Interviewed by Mary Daley\nApril 1, 2013\n\nExcerpt from interview:\n\n\"I found my peace through war,\" says Marissa Roth '79, who recently completed a 28-year exploration of how war impacts women. The award-winning photojournalist's journey took her to Yugoslavia, France, Germany, Northern Ireland, Pakistan, the Philippines, Kosovo, Japan, Cambodia, Bosnia and Vietnam.\n\nA crowning moment came when Roth, the daughter of Hungarian refugees from the Holocaust, discovered her grandparents' names on a memorial in Yugoslavia, where they were massacred on their own doorstep in 1942. Her quest was ignited in Pakistan in 1988 when Roth, on a freelance assignment for the Los Angeles Times, learned that 100,000 Afghan war widows had been all but forgotten.\n
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","caption":"","type":"image","content":"21Roth_MyWar_block-High.jpg","size":{"content":{"width":1860,"height":1360},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":1432834},"dateAdded":"2016-06-30 09:38:39","overrides":{},"linkTarget":"","filters":[" MY WAR"],"oldContent":"21Roth_MyWar_block-High.jpg"},"10446":{"id":10446,"label":"MY WAR ","caption":"","type":"image","content":"22Roth_MyWar_block-Maddox.jpg","size":{"content":{"width":1860,"height":1360},"thumb":{"width":0,"height":0},"bytes":919911,"featuredImage":{"width":0,"height":0}},"filters":[" MY WAR"],"overrides":{},"dateAdded":"2016-06-30 09:38:40","linkTarget":"","oldContent":"22Roth_MyWar_block-Maddox.jpg"},"10447":{"id":10447,"label":"","caption":"","type":"html","content":"
IS THE WAR EVER REALLY OVER?
\r\n\r\n
I am, indeed, one of the lucky ones. No pain-filled, heart-wrenching flashbacks darken my days and nights. No PTS symptoms lurk in unvisited hiding places in my psyche, waiting for the right moment to lay waste to a world filled with positives, attainable dreams and blessing upon blessing. No Agent Orange-related illnesses disrupt or threaten my existence or that of the people I truly love.
\r\n\r\nStill, the war must never really end for me until all the ills and nightmare scenarios to which it gave birth, are somehow made right. As long as my brothers-and-sisters-in-arms have to live beneath the long shadow cast across their lives by the war; as long as there are those who disrespect and condemn the participants in rather than the architects of that terrible, wasteful conflict; as long as there are those unlucky enough to be plagued with psychological and physical afflictions resultant from their participation in the war; as long as our government continues to see and to use armed conflict as the primary and inescapable response to international conflict; as long as each returned veteran fails to receive his due; as long as there remain scores, even hundreds whose fate remains unknown, be they MIA or KIA; I will feel compelled to keep the war from fading, from ending for myself either.
\r\n\r\nThose of us who came home more or less intact, more or less whole, have a deep obligation to those who were not able to do so, those for whom the fighting and the suffering never ends, as well as to those characterized as “collateral damage”, their lives forever altered by and inescapably bound to every casualty and fatality we, as a nation, suffered and continue to suffer. Count the legions of homeless, lost, unemployable, addicted, walking wounded who have no place in the very society to which they were so unceremoniously and impersonally returned, left to find each his own way. There seems to be no end to the growing tide of suicides, overdoses, and societal write-offs this country helped create and silently, even heedlessly continues to endure. Though the war today is a different war, being fought in a different place by a different generation, the need and waste, the disruption, inequities and suffering created and exacerbated by war, continue unabated. The wrongs and omissions continue unresolved and all-too-often ignored by the multitudes whose lives it never really touches.
\r\n\r\nIt has been said, and rightfully so, that in Vietnam our military won every battle, while our country lost the war. I submit to you, that no one has ever won a war. War produces in its aftermath only losers in varying degrees. The deepest loss is in our inability or unwillingness to learn from our mistakes. No, by-gone wars are never really over and there seems ever to be a new one looming on the horizon, ready to take its place and exact its toll.
\r\n\r\n\r\nSteve Maddox\r\nCaptain, U.S. Army Infantry, MAT 234, team 45, Military Assistance Command Vietnam \r\nNinh Thuan Province, Vietnam September 1968 – February 1969
\r\n\r\n
\r\n
\r\n
VIETNAM, THEY ASK, SO WHAT WAS IT LIKE?
\r\n\r\n
\r\n\r\n
I felt so young\r\nI felt so old\r\nI felt so hot\r\nI felt so cold\r\nsometimes wet\r\nsometimes dry\r\nstill can hear\r\nthe choppers fly\r\na weapon fires\r\nsomeone cries\r\nsome would live\r\nsome would die\r\nthe still of night\r\ntill cannons roar\r\nknock mighty trees\r\nto jungle floor\r\nthe smell of life\r\nthe smell of death\r\na newborn baby\r\ndraws first breath\r\nit don't mean nothin' ***\r\nbut that's a lie\r\nnow there's time\r\nto stop and cry\r\ntake the hill\r\nlet it go\r\nwe still ask why\r\ndo any know
\r\n\r\nSgt. Clyde B. Canny\r\n11th Armored Cavalry Regiment\r\nVietnam 1968-1969
\r\n\r\n*** This expression was commonly used to defer painful reactions to battlefield experiences to a time when they could safely be processed. Unfortunately, for some, that time has yet to come.
\r\n\r\n
\r\n
\r\n
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THE CROSSING
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From May of 2015 to May of 2019, Marissa Roth was a passenger aboard the Queen Mary ll during seven transatlantic crossings between New York City and Southampton, England. These short but profound journeys inspired this photographic project, which has in many ways, became the coda to her four-decade global traveling exhibition, One Person Crying: Women and War. The Crossing was published in November, 2019, and will be a traveling exhibition.
\n\nChoosing to photograph the crossings with color transparency film solely from the perspective of the ocean, Roth’s voyages from continent to continent and across time, mark another transition in creativity for her. Imbued with the temporal ocean rhythms, her unwavering photographer’s eye captured the ever-changing palette of color and light as the ocean liner traversed the Atlantic Ocean. Fog, quiet dawns and vibrant twilights, all gently revealed within this natural setting, are companioned with images made directly above churning prop-wash and variable ocean currents.
\n\nClick Here To Purchase The Crossing
\n","thumb":"CrossingTEXT_thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1009,"height":580},"pageImages":[],"featuredImage":{"width":0,"height":0},"bytes":0},"filters":["Crossing - NEW"],"overrides":{},"linkTarget":"","dateAdded":"2016-11-08T21:04:18.000Z"},"10480":{"id":10480,"label":"issue205_Roth","caption":"","type":"pdf","content":"issue205_Roth.pdf","size":{"content":{"width":0,"height":0},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":175711},"linkTarget":"","filters":["PDFs"],"dateAdded":"Fri, 08 Sep 2017 18:53:17 GMT","overrides":{}},"10481":{"id":10481,"label":"AfghanRefugeeWomenandChildrenafterAfghan-USSRWar","caption":"Afghan refugee women and children in a refugee camp at the end of the 10-year war between Afghanistan and the Soviet Union. \nThal, Pakistan 1988","type":"image","content":"AfghanRefugeeWomenandChildrenafterAfghan-USSRWar.jpg","size":{"content":{"width":1500,"height":1011},"thumb":{"width":0,"height":0},"bytes":1064108,"featuredImage":{"width":0,"height":0}},"filters":["-Hidden-Overview-Img-Gallery-","Projects-Portfolios - One Person Crying"],"linkTarget":"","overrides":{},"dateAdded":"2017-12-15T19:17:44.240Z"},"10484":{"id":10484,"label":"BattleofYypres","caption":"During the Battle of Paschendaele\n1917 ©Frank Hurley Estate","type":"image","content":"BattleofYypres.jpg","size":{"content":{"width":499,"height":345},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":97871},"dateAdded":"2018-01-05T18:30:51.570Z","overrides":{},"linkTarget":"","filters":["Curating - Frank Hurley"]},"10485":{"id":10485,"label":"HurleyIceberg","caption":"Iceberg, Sir Douglas Mawson Expedition
\n1911-1914 ©Frank Hurley Estate","type":"image","content":"HurleyIceberg.jpg","size":{"content":{"width":800,"height":309},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":121880},"dateAdded":"2018-01-05T18:30:54.047Z","filters":["Curating - Frank Hurley"],"postDate":"2018-01-07T19:37:54.462Z","overrides":{},"linkTarget":""},"10486":{"id":10486,"label":"","caption":"","type":"html","content":"
FRANK HURLEY: ANTARCTICA AND BEYOND
\n\n
Marissa Roth is currently curating the first-ever retrospective exhibition about Frank Hurley, the esteemed Australian photographer who was chosen by Sir Ernest Shackleton to photograph onboard during the 1914 Endurance expedition to Antarctica. Hurley’s monolithic images of the ice entrapped ship have become the iconic visual touchstones that mark the close of the Age of Antarctic Exploration. These images have also become the cornerstone images of Hurley's renown.
\n\nSoon after the rescue of the crew of the Endurance, Hurley went on to become a war photographer, taking equally powerful images during the Battle of Ypres in World War I. He photographed in Palestine during World War II, and created both ethnographic documentary films and books on Papua New Guinea, and was devoted to photographing his homeland of Australia for the the duration of his career. This retrospective will showcase not only the wide range of his exceptional work, but will include excerpts from his travel diaries.
\n\nRoth will travel to many of the locales where Hurley photographed by following in his footsteps as a photographer, in order to get a sense of place as to the experiences that Hurley had, by visually documenting from a contemporary perspective for inclusion in the audio-visual components of the exhibition. Roth is working in conjunction with the Royal Geographical Society in London, and they will debut the retrospective exhibition in 2024.
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\n
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\nAtlantic Ocean August 2018","type":"image","content":"Roth58_CrossingAug_2018LowRes.jpg","size":{"content":{"width":1080,"height":725},"thumb":{"width":0,"height":0},"bytes":669172,"featuredImage":{"width":0,"height":0}},"dateAdded":"2018-10-25T15:26:41.669Z","overrides":{},"linkTarget":"","filters":["Crossing - NEW"]},"10513":{"id":10513,"label":"Roth60_CrossingAug-2018Lowres","caption":"The Crossing 60
\nAtlantic Ocean August 2018","type":"image","content":"Roth60_CrossingAug-2018Lowres.jpg","size":{"content":{"width":1080,"height":724},"thumb":{"width":0,"height":0},"bytes":841105,"featuredImage":{"width":0,"height":0}},"linkTarget":"","filters":["Crossing - NEW"],"overrides":{},"dateAdded":"2018-10-25T15:26:44.718Z"},"10514":{"id":10514,"label":"Roth59_CrossingAug-2018MedRes","caption":"The Crossing 33
\nEastbound - August 2018","type":"image","content":"Roth59_CrossingAug-2018MedRes.jpg","size":{"content":{"width":4500,"height":3021},"thumb":{"width":0,"height":0},"bytes":9939854,"featuredImage":{"width":0,"height":0}},"overrides":{},"filters":["Crossing - NEW"],"linkTarget":"","dateAdded":"2018-10-25T15:26:54.640Z"},"10515":{"id":10515,"label":"Hurley Clouds","caption":"Given the limitations of the cameras and film speeds that Frank Hurley was using to photograph during the war, and his fervent desire to illustrate the magnitude of the war’s events and the scale of the landscape, he decided to create composite images sing using multiple images, almost like a muralist. This was a very controversial method, which nearly cost him his assignment. One of the composite elements that he felt was necessary to incorporate was the ever-present dramatic-looking clouds over the battlefields. September 2018","type":"image","content":"08MarissaRoth_Ypres_Hurley-Clouds-MED-RES.jpg","size":{"content":{"width":760,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":442283},"linkTarget":"","overrides":{},"filters":["Hurley - Ypres Belgium"],"dateAdded":"2018-11-20T21:28:32.615Z"},"10516":{"id":10516,"label":"Sanctuary Wood, World War I Trenches, Ypres","caption":"Sanctuary Wood is the site of fighting on the Ypres Salient during World War I, where the family that owns the land has retained the original trenches and artillery craters as a historical site and memorial to the war. September 2018","type":"image","content":"01MarissaRoth_Ypres_SanctuaryWood-MED-RES.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"bytes":1554511,"featuredImage":{"width":0,"height":0}},"overrides":{},"dateAdded":"2018-11-20T21:28:37.619Z","filters":["Hurley - Ypres Belgium"],"linkTarget":""},"10517":{"id":10517,"label":"Hill 60 a","caption":"Hill 60 was the first location that Frank Hurley photographed upon his arrival to Belgium in mid-August 1917 to photograph during the Third Battle of Ypres. The hill was under constant shelling, and the Australians finally took control of the hill and a large German bunker. September 2018","type":"image","content":"02MarissaRoth_Ypres_Hill_60_a-MED-RES.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"bytes":2033855,"featuredImage":{"width":0,"height":0}},"linkTarget":"","filters":["Hurley - Ypres Belgium"],"overrides":{},"dateAdded":"2018-11-20T21:28:45.955Z"},"10518":{"id":10518,"label":"Hill 60 b","caption":"A contemporary stone of remembrance rests on the remains of an Australian bunker on Hill 60, which is near the city of Ypres. September 2018","type":"image","content":"03MarissaRoth_Ypres_Hill_60_b-MED-RES.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"bytes":1790115,"featuredImage":{"width":0,"height":0}},"dateAdded":"2018-11-20T21:28:49.415Z","filters":["Hurley - Ypres Belgium"],"linkTarget":"","overrides":{}},"10519":{"id":10519,"label":"Hill 60 c","caption":"Tokens of remembrance left on the German bunker on Hill 60 that the Australians would eventually overtake. September 2018","type":"image","content":"04MarissaRoth_Ypres_Hill_60_c-MED-RES.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":1513673},"linkTarget":"","dateAdded":"2018-11-20T21:28:51.778Z","filters":["Hurley - Ypres Belgium"],"overrides":{}},"10520":{"id":10520,"label":"Clapham Junction","caption":"Nicknamed “Clapham Junction”, this intersection was the site of the Battle of Menin Road Ridge, which Frank Hurley photographed from this exact place,\nthe view is looking west. September 2018","type":"image","content":"05MarissaRoth_Ypres_ClaphamJunction-MED-RES.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":1254070},"filters":["Hurley - Ypres Belgium"],"overrides":{},"linkTarget":"","dateAdded":"2018-11-20T21:28:57.119Z"},"10521":{"id":10521,"label":"Polygon Wood","caption":"Polygon Wood was a plantation forest in the path of the Australian advance on Gheluvelt Plateau, which was used as a practice ground before the war by the Belgian Army. This is the site of the Battle of Polygon Wood, where Hurley photographed. September 2018","type":"image","content":"06MarissaRoth_Ypres_PolygonWood-MED-RES.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"bytes":1518586,"featuredImage":{"width":0,"height":0}},"overrides":{},"dateAdded":"2018-11-20T21:29:01.718Z","linkTarget":"","filters":["Hurley - Ypres Belgium"]},"10522":{"id":10522,"label":"Gheluvelt Chateau","caption":"On the property of Gheluvelt Chateau where the Battle of Gheluvelt took place on October 31, 1914. The land sits directly on the road to Ypres. Like all of the vegetation seen throughout the former battlefields, this gnarled rhododendron was deliberately planted after the war. In some places, such as copses of trees, the trees reseeded themselves over the post-war years. September 2018","type":"image","content":"07MarissaRoth_Ypres_GheluveltChateau_a-MED-RES.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"bytes":1657905,"featuredImage":{"width":0,"height":0}},"overrides":{},"filters":["Hurley - Ypres Belgium"],"linkTarget":"","dateAdded":"2018-11-20T21:29:05.331Z"},"10523":{"id":10523,"label":"Gheluvelt Chateau","caption":"On the property of Gheluvelt Chateau where the Battle of Gheluvelt took place on October 31, 1914. The land sits directly on the road to Ypres. September 2018","type":"image","content":"09MarissaRoth_Ypres_Gheluvelt.b-MED-RES.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"bytes":1725362,"featuredImage":{"width":0,"height":0}},"filters":["Hurley - Ypres Belgium"],"linkTarget":"","dateAdded":"2018-11-20T21:29:08.155Z","overrides":{}},"10524":{"id":10524,"label":"Hellfire Corner","caption":"Hellfire Corner on the Menin Road, in the Ypres Sector. 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BUDAPEST
\n\n
Budapest has been a destination where Marissa Roth has photographed for over three decades, and is a place that is very dear to her. Her subjects have included the first post-Communist democratic elections in 1990, historical monuments, personal family moments and poetic street scenes. Retracing her own steps over the decades, she has witnessed the changes in this grand city and has marked time by her ever-evolving creative response to them.
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During their crossing in the fall on the “Queen Mary\" from Southampton in England to New York they met and fell in love. Roth made this trip between 2015 and 2019 New York a few more times in this way, to experience her parents' stormy journey again and again. By photographing the daily view during her crossings on the ocean, a book with fascinating photos emerged.\n\nCredit: Christine Baart - December 7, 2019","size":{"content":{"width":0,"height":0},"thumb":{"width":0,"height":0},"bytes":0,"featuredImage":{"width":0,"height":0}},"overrides":{},"linkTarget":"","dateAdded":"2020-01-13T23:25:58.001Z","postDate":"2020-01-13T23:28:10.525Z","filters":["TROUW - Article"]},"10586":{"id":10586,"label":"02-TLP-RPS_Feb20_OpeningShot","caption":"","type":"image","content":"02-TLP-RPS_Feb20_OpeningShot.jpg","size":{"content":{"width":1240,"height":1753},"thumb":{"width":0,"height":0},"bytes":925636,"featuredImage":{"width":0,"height":0}},"dateAdded":"2020-01-14T17:39:27.340Z","overrides":{},"filters":["LONKA - Article"],"linkTarget":""},"10587":{"id":10587,"label":"01-TLP-RPS_FEB20_LONKA_V2","caption":"","type":"image","content":"01-TLP-RPS_FEB20_LONKA_V2.jpg","size":{"content":{"width":2480,"height":1753},"thumb":{"width":0,"height":0},"bytes":2664671,"featuredImage":{"width":0,"height":0}},"linkTarget":"","dateAdded":"2020-01-14T17:39:40.571Z","overrides":{},"filters":["LONKA - Article"]},"10588":{"id":10588,"label":"About The Crossing","caption":"","type":"html","content":"From May of 2015 to May of 2019, Marissa Roth made seven transatlantic crossings aboard the Queen Mary ll. 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\nBerkshire, August 2-7, 2020\n","type":"image","content":"019-CANTATA-Med-Rez.jpg","size":{"content":{"width":769,"height":1140},"thumb":{"width":0,"height":0},"bytes":253896,"featuredImage":{"width":0,"height":0}},"key":"10647","dateAdded":"2020-08-24T23:09:18.098Z","keywords":[],"overrides":{},"linkTarget":"","filters":["Projects-Portfolios - Cantata"]},"10648":{"id":10648,"label":"CANTATA 19","caption":"Emergence
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CANTATA
In Covid-19 Isolation – March to December 2020
\n\n
Like millions of people around the world, I went into isolation during the Covid-19 pandemic—I was in England, and chose to be away from London. I started this time of uncertainty unfurling a meandering itinerary; a brief stop in Hampshire for a few days, then on to Surrey, starting with a two-week self-quarantine, followed by the months-long stretch with a dear friend at her home.
\n\nAs always, my treasured titanium Contax camera was with me, loaded with black and white film. It inspired a creative call and response to the sameness and stillness, and became my photographic sketchbook and metaphorical mirror, anchoring my mind and heart during this intensely remarkable chapter.
\n\nCantata is a collection of these images—the first one taken on March 19th, on the eve of my London departure into the unknown and the unknowable. The final photographs in the first group of 20 images, were taken in early August, during a four-day sojourn in Berkshire, when I felt that I had finally fully reemerged from the physical and psychological cocoon that I had sequestered and sheltered myself in. August 18, 2020
\n\n'Emerging from a moonless night,\nawakened by a blackbird's song,\nI am the river meeting an ocean.'
As the virus tempest continues into autumn, heading towards winter, and with renewed lockdown measures, I also continue to photograph the seasonal changes. As the remnants of this very unusual year are pieced together with occasional weariness, and as more promising news of vaccines and a return to some normalcy are in sight, hope still beckons. November 11, 2020
\nI feel that this series is done. The winter solstice was profound for me this year — it represents the pivotal point to a new year, and what feels like a return to looking outward again. December 21, 2020
\n'Turning towards the light,\na day to change seasons,\nand nudge away the darkness.'
Marissa Roth\nLondon 2020
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\nBerkshire, August 2-7, 2020","type":"image","content":"21-CANTATA-Med-Rez.jpg","size":{"content":{"width":1697,"height":1140},"thumb":{"width":0,"height":0},"bytes":570600,"featuredImage":{"width":0,"height":0}},"keywords":[],"filters":["Projects-Portfolios - Cantata"],"linkTarget":"","overrides":{},"dateAdded":"2020-11-10T21:43:21.991Z","postDate":"2020-11-10T21:46:21.201Z"},"10653":{"id":10653,"label":"22-CANTATA-Med-Rez","caption":"Hello From the Silence
\nLondon, early September, 2020","type":"image","content":"22-CANTATA-Med-Rez.jpg","size":{"content":{"width":755,"height":1140},"thumb":{"width":0,"height":0},"bytes":336418,"featuredImage":{"width":0,"height":0}},"filters":["Projects-Portfolios - Cantata"],"keywords":[],"postDate":"2020-11-10T21:46:21.201Z","dateAdded":"2020-11-10T21:43:23.824Z","linkTarget":"","overrides":{}},"10657":{"id":10657,"label":"25-CANTATA-Med-Rez-v2","caption":"Last Light, Chelsea Physic Garden
\nLondon, October 30, 2020","type":"image","content":"25-CANTATA-Med-Rez-v2.jpg","size":{"content":{"width":766,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":529901},"postDate":"2020-11-10T22:15:29.255Z","linkTarget":"","filters":["Projects-Portfolios - Cantata"],"overrides":{},"keywords":[],"dateAdded":"2020-11-10T22:14:47.695Z"},"10658":{"id":10658,"label":"23-CANTATA-Med-Rez-v2","caption":"Clouds Dancing on The Thames
\nLondon, October 24, 2020","type":"image","content":"23-CANTATA-Med-Rez-v2.jpg","size":{"content":{"width":1696,"height":1140},"thumb":{"width":0,"height":0},"bytes":691141,"featuredImage":{"width":0,"height":0}},"postDate":"2020-11-12T16:10:38.494Z","dateAdded":"2020-11-12T16:09:37.708Z","filters":["Projects-Portfolios - Cantata"],"keywords":[],"overrides":{},"linkTarget":""},"10659":{"id":10659,"label":"24-CANTATA-Med-Rez-v2","caption":"After a Night of Heavy Rain
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\nLondon, Early December, 2020","type":"image","content":"27-CANTATA-Med-Rez.jpg","size":{"content":{"width":765,"height":1140},"thumb":{"width":0,"height":0},"bytes":561587,"featuredImage":{"width":0,"height":0}},"filters":["Projects-Portfolios - Cantata"],"linkTarget":"","dateAdded":"2020-12-22T21:29:10.471Z","postDate":"2020-12-22T22:21:17.150Z","overrides":{},"keywords":[]},"10662":{"id":10662,"label":"28-CANTATA-Med-Rez","caption":"Dancing Hedge, Chelsea Physic Garden
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Surrey, March 23 – April 7, 2020","type":"image","content":"09-CANTATA-Low-Rez.jpg","size":{"content":{"width":1200,"height":791},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":501120},"keywords":[],"linkTarget":"","filters":["Projects-Portfolios - Cantata"],"key":"10667","dateAdded":"2021-03-29T21:55:46.891Z","overrides":{}},"10668":{"id":10668,"label":"30-CANTATA-Low-Rez","caption":"An Incantation for the Wind\n
London, Early December 2020","type":"image","content":"30-CANTATA-Low-Rez.jpg","size":{"content":{"width":765,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":523184},"filters":["Projects-Portfolios - Cantata"],"postDate":"2021-03-29T21:56:24.524Z","linkTarget":"","dateAdded":"2021-03-29T21:55:48.840Z","key":"10668","keywords":[],"overrides":{}},"10669":{"id":10669,"label":"Sheltered for Winter","caption":"Sheltered for Winter
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\nLondon, England 2021","type":"image","content":"03-Winter-Tree-01-21.jpg","size":{"content":{"width":1700,"height":1140},"thumb":{"width":0,"height":0},"bytes":659868,"featuredImage":{"width":0,"height":0}},"linkTarget":"","postDate":"2021-08-19T15:20:29.524Z","overrides":{},"dateAdded":"2021-08-19T15:18:37.574Z","keywords":[],"filters":["Projects-Portfolios - Open to Beyond"]},"10672":{"id":10672,"label":"Vasfije Krasniqi-Goodman","caption":"Vasfije Krasniqi-Goodman, was raped during the Kosovo War as a vendetta to a 100-year feud with her family. She became an activist for war sexual violence survivors.\nPristina, Kosovo, 2022","type":"image","content":"A-Vasfije-Krasniqi-Goodman.jpg","size":{"content":{"width":1700,"height":1140},"thumb":{"width":0,"height":0},"bytes":594001,"featuredImage":{"width":0,"height":0}},"overrides":{},"linkTarget":"","filters":["Projects-Portfolios - One Person Crying"],"key":"10672","dateAdded":"2022-04-26T22:52:24.467Z","keywords":[]},"10673":{"id":10673,"label":"Saranda Bogujevci","caption":"Saranda Bogujevci, was one of only two family members to survive a targeted massacre during the Kosovo War. She is now Vice-President of the Parliament of Kosovo.\nPodujevo, Kosovo, 2022","type":"image","content":"B-Saranda-Bogujevci-web.jpg","size":{"content":{"width":1697,"height":1140},"thumb":{"width":0,"height":0},"bytes":637606,"featuredImage":{"width":0,"height":0}},"keywords":[],"key":"10673","overrides":{},"linkTarget":"","dateAdded":"2022-04-26T22:52:26.077Z","filters":["Projects-Portfolios - One Person Crying"]},"10674":{"id":10674,"label":"No Man's Land","caption":"No Man's Land - A river bisects land owned by Kosovar Albanians on one side, and Serbs on the other.\nStanovc i Poshtem-Vushtrri, Kosovo, 2022","type":"image","content":"C-No-Mans-Land-web.jpg","size":{"content":{"width":1695,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":647780},"dateAdded":"2022-04-26T22:52:27.157Z","keywords":[],"filters":["Projects-Portfolios - One Person Crying"],"key":"10674","linkTarget":"","overrides":{}},"10676":{"id":10676,"label":"01-MarissaRoth_RVB_MR-May22-2022-L1030028","caption":"L’Orangerie
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ROYAL VERSAILLES BALL
\n\n\n
Marissa Roth had the distinguished opportunity to photograph the Royal Versailles Ball, a historical commemoration that took place on May 21, 2022 at the Palace of Versailles in France. The white tie ball was held in recognition of Queen Victoria’s 203rd birthday, and to pay homage to her attendance at Versailles as the guest of honor at Napoleon III’s original ball of 1855.
\n\nThe Leica Mayfair store in London supported this unique photographic experience by loaning Roth a Leica Q2 – a dedicated black and white digital camera. The results are an elegant and light-hearted portfolio of images that evoke the feeling of the event and the resplendent setting.
\n\n\n
\n
\n
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\nBudapest, Hungary 2019","type":"image","content":"12-13-Blue-skirt-adjusted.jpg","size":{"content":{"width":1697,"height":1140},"thumb":{"width":0,"height":0},"bytes":618618,"featuredImage":{"width":0,"height":0}},"dateAdded":"2022-06-23T17:50:19.033Z","overrides":{},"keywords":[],"filters":["Projects-Portfolios - Budapest"],"linkTarget":""},"10696":{"id":10696,"label":"16-17-RED-Feather-Budapest-adjusted","caption":"Red Ostrich Feather
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\nBudapest, Hungary 2019","type":"image","content":"21-22-Brass-adjusted.jpg","size":{"content":{"width":766,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":704870},"filters":["Projects-Portfolios - Budapest"],"overrides":{},"keywords":[],"linkTarget":"","dateAdded":"2022-06-23T17:50:21.472Z"},"10698":{"id":10698,"label":"MarissaRoth_RVB-May22-2022-MR-web","caption":"L’Orangerie door before the guests arrived
\nPalace of Versailles, France May 21, 2022","type":"image","content":"MarissaRoth_RVB-May22-2022-MR-web.jpg","size":{"content":{"width":1708,"height":1140},"thumb":{"width":0,"height":0},"bytes":520579,"featuredImage":{"width":0,"height":0}},"dateAdded":"2022-06-23T17:52:48.178Z","filters":["Projects-Portfolios - Royal Versailles Ball"],"linkTarget":"","overrides":{},"keywords":[]},"10699":{"id":10699,"label":"Besarta-Jashari-MR-web","caption":"Besarta Jashari, was the sole survivor of the Jashari family massacre of over 50 people during the Kosovo War; she was 11 years old. Photographed on the 24th anniversary of the massacre.\nPrekaz, Kosovo, 2022","type":"image","content":"Besarta-Jashari-MR-web.jpg","size":{"content":{"width":1696,"height":1140},"thumb":{"width":0,"height":0},"bytes":590602,"featuredImage":{"width":0,"height":0}},"key":"10699","keywords":[],"filters":["Projects-Portfolios - One Person Crying"],"dateAdded":"2022-07-07T15:53:27.815Z","linkTarget":"","overrides":{}},"10700":{"id":10700,"label":"Budapest-Fireworks-low-res","caption":"Finale
\nBudapest, Hungary June 2022","type":"image","content":"Budapest-Fireworks-low-res.jpg","size":{"content":{"width":744,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":511027},"overrides":{},"keywords":[],"postDate":"2022-07-12T19:06:59.871Z","linkTarget":"","filters":["Projects-Portfolios - Budapest"],"dateAdded":"2022-07-12T19:05:32.695Z"},"10701":{"id":10701,"label":"Budapest-Light-low-res","caption":"Where the Light Comes In
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\nSão Miguel Island, Azores
\nNovember 2022","type":"image","content":"Black-Sand-Beach-ll-web.jpg","size":{"content":{"width":1699,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":845164},"overrides":{},"keywords":[],"filters":["Projects-Portfolios - Open to Beyond"],"linkTarget":"","postDate":"2022-11-15T02:20:26.545Z","dateAdded":"2022-11-15T02:19:53.556Z"},"10704":{"id":10704,"label":"Flowers-Heroinat-Memorial-Kosovo-MR-web","caption":"Flowers at the Heroinat Memorial to War Sexual Violence Victims
\nPristina, Kosovo, 2022","type":"image","content":"Flowers-Heroinat-Memorial-Kosovo-MR-web.jpg","size":{"content":{"width":1704,"height":1140},"thumb":{"width":0,"height":0},"bytes":1126042,"featuredImage":{"width":0,"height":0}},"keywords":[],"filters":["Projects-Portfolios - One Person Crying"],"postDate":"2022-11-21T18:19:08.921Z","dateAdded":"2022-11-21T18:18:21.874Z","overrides":{},"linkTarget":""},"10706":{"id":10706,"label":"Wind-Shadows-1-MR","caption":"Wind Shadows I
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ICELAND POPPIES
\n\n
Nature unabashedly exhibits ways to awe us with sublime beauty. I imagine these poppies in their natural environment in subpolar regions of Asia and North America, and the mountains of Central Asia, emerging from snowy winters, delicate as a butterfly’s wing, silent as a rainbow. ~~ Marissa Roth\n\nFor the past few years, Marissa Roth whimsically photographed Iceland Poppies with her mobile phone. In 2025, she decided to turn her gaze towards them using a traditional camera while thinking about them in a different way. She sees this collection of images as portraits, where each poppy reveals a variety of attributes evoking their individuality, including genetic color glitches and natural bruises. She chose to photograph them simply, with ‘Rembrandt light’, from a north-facing window.
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\n
Vincent van Gogh was drawn to painting trees, sometimes the same trees multiple times as in the pair of Mediterranean cypresses seen in some of his most celebrated works. He considered them a muse that afforded him “consolation”, a favorite word of his.
\n\nMarissa Roth has been photographing trees for decades, not as a deliberate subject, but rather as unexpected random encounters, like meeting a familiar stranger. She was inspired by van Gogh’s sentiment to consider her own response. In them, she sees singular arboreal portraits, natural geometry, and the evidence of wind. In their presence, she feels a profound sense of permanence held within these natural markers of time.
\n","thumb":"Text-Thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":844,"height":617},"featuredImage":{"width":0,"height":0},"pageImages":[],"bytes":0},"filters":["Projects-Portfolios- The Consolation of Trees"],"dateAdded":"2023-05-22T15:56:09.770Z","linkTarget":"","overrides":{}},"10729":{"id":10729,"label":"River Phoenix","caption":"After River Phoenix Died - The Viper Room\nWest Hollywood 1993","type":"image","content":"River-Phoenix-copy-web.jpg","size":{"content":{"width":1792,"height":1140},"thumb":{"width":0,"height":0},"bytes":804517,"featuredImage":{"width":0,"height":0}},"keywords":[],"linkTarget":"","dateAdded":"2023-06-13T21:33:45.491Z","filters":["Projects-Portfolios - LA - Hollywood"],"overrides":{}},"10730":{"id":10730,"label":"V-2-Cornwall-Ridge-and-Last-Light-MR","caption":"Ridgeline and Last Light
\nCornwall, England 2023","type":"image","content":"V-2-Cornwall-Ridge-and-Last-Light-MR.jpg","size":{"content":{"width":1681,"height":1140},"thumb":{"width":0,"height":0},"bytes":477674,"featuredImage":{"width":0,"height":0}},"keywords":[],"dateAdded":"2023-07-19T22:45:09.835Z","postDate":"2023-07-19T22:45:35.366Z","overrides":{},"linkTarget":"","filters":["Projects-Portfolios - Open to Beyond"]},"10731":{"id":10731,"label":"11-CG---310-LR-web","caption":"A Dance of Light and Shadows
\nLondon, England, November 2021","type":"image","content":"11-CG---310-LR-web.jpg","size":{"content":{"width":762,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":399776},"postDate":"2023-07-28T16:54:48.315Z","dateAdded":"2023-07-28T16:54:30.905Z","linkTarget":"","overrides":{},"filters":["Projects-Portfolios - Open to Beyond"],"keywords":[]},"10733":{"id":10733,"label":"Ash Sapling Growing in a Bin Enclosure","caption":"Ash Sapling Growing in a Bin Enclosure\nNear Lambeth and Hercules Roads\nSouthwark – London, August 3, 2023","type":"image","content":"002-Marissa-Roth-LM-8323-L1001481-web.jpg","size":{"content":{"width":1708,"height":1140},"thumb":{"width":0,"height":0},"bytes":558955,"featuredImage":{"width":0,"height":0}},"keywords":[],"postDate":"2023-08-24T18:52:34.964Z","dateAdded":"2023-08-24T18:38:30.190Z","overrides":{},"linkTarget":"","filters":["Projects-Portfolios - London is a Forest"]},"10734":{"id":10734,"label":"Windblown Ginkgo Sapling ","caption":"Windblown Ginkgo Sapling\nRoyal Hospital Road\nChelsea – London, August 6, 2023","type":"image","content":"003-Marissa-Roth-LM-8423-L1001570-web.jpg","size":{"content":{"width":1708,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":573326},"postDate":"2023-08-24T18:52:34.964Z","keywords":[],"dateAdded":"2023-08-24T18:38:31.438Z","filters":["Projects-Portfolios - 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London is a Forest"],"postDate":"2023-08-24T18:52:34.964Z","keywords":[],"linkTarget":""},"10749":{"id":10749,"label":"White Wall with Linden Tree Shaodw ","caption":"White Wall with a Linden Tree Shadow\nSwan Walk\nChelsea – London, August 21, 2023\n","type":"image","content":"018-Marissa-Roth-82123-L1003684-web.jpg","size":{"content":{"width":1708,"height":1140},"thumb":{"width":0,"height":0},"bytes":415204,"featuredImage":{"width":0,"height":0}},"linkTarget":"","dateAdded":"2023-08-24T18:39:20.187Z","filters":["Projects-Portfolios - London is a Forest"],"keywords":[],"postDate":"2023-08-24T18:52:34.964Z","overrides":{}},"10750":{"id":10750,"label":"","caption":"","type":"html","content":"
LONDON IS A FOREST
\n\n\n
Marissa Roth was commissioned by the marketing department of Leica Camera UK to create a ‘street shooting’ photo essay using their Q2 Monochrom camera. In thinking about the assignment, she chose to photograph in London, which is not only a visually interesting city, but is also considered to be the world’s largest urban forest with over 8.3 million trees. Some of these trees are recently planted saplings while others are hundreds of years old survivors from ancient woodlands. About 900,000 trees are street trees that provide an often overlooked backdrop to everyday life.
\n\nIn setting the parameters for this small project with the theme of trees, she gave herself the challenge of visiting numerous boroughs while photographing a different kind of tree for each image — her only duplicate is the ubiquitous London Plane Tree. She sought out notable trees in public parks and randomly came upon unexpected specimens that caught her eye in commons and along busy streets and quiet walks. Along the way, she had arboreal botany lessons, learning how to distinguish many of them by their leaves and bark.
\n\n
\n
ONE PERSON CRYING
CREATIVE VISIONS FOUNDATION
\n\n\n
Creative Visions Foundation is a Fiscal Sponsor that Marissa Roth has worked with over the years. They are now supporting One Person Crying as a trilogy of interconnected initiatives inspired by Roth’s multi-decade global photographic project, One Person Crying: Women and War. Their mission statement: “Creative Visions empowers creative activists to raise awareness of critical issues and drive positive change through impact storytelling – one of the most powerful tools we have for creating change in the world.”
\n\nThis supports Roth’s early and on-going commitment to this subject, which was inspired by her own family's war history and born out of her recognition that the women’s side of the war story was an underreported perspective on war. She feels that this continues to be an important, timely and relevant subject and believes that through the telling and re-telling of stories through her compelling photographs and first-person interviews with these survivors, it will engender more awareness.\n\n
In addition to the on-going photographic project and international travelling exhibition of these photographs which debuted at The Museum of Tolerance in Los Angeles in 2012, a documentary series based on it, The Peace Photographer, is currently being developed. Additionally, Roth is aiming to establish a community of these women from around the world through the creation of an on-line database where women war survivors can share their first-person stories, while building an important archive.
\n\nCREATIVE VISIONS / ONE PERSON CRYING - Project Gallery Page - Click Here
\n\nCREATIVE VISIONS / ONE PERSON CRYING - Donation Page - Click Here
\n\nCreative Vision Foundation: https://www.creativevisions.org
\n\n**For further information on ACH Direct Deposits, please contact Grace Breuer, CFO Creative Visions Foundation at: gracebreuer.cvf@gmail.com
\n\n
\n
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